mirroring
mirroring

acrylic, graphite, charcoal on wood panel, 24”x24”, 2019

BUT WE WERE MEANT TO BE GODS?
BUT WE WERE MEANT TO BE GODS?

acrylic, graphite on wood panel, 24”x24”, 2019

unknown saint
unknown saint

acrylic, charcoal, graphite on wood panel, 24”x24”, 2019

listening spider
listening spider

acrylic on wood panel, 48”x48”, 2019

24 HR PWR PAINTER
24 HR PWR PAINTER

acrylic, graphite, ink on wood panel, 24”x24”, 2018

bedtime hymn to the Black Mountains
bedtime hymn to the Black Mountains

acrylic, graphite on wood panel, 24”x24”, 2018

¿conocimiento y desconocimiento?
¿conocimiento y desconocimiento?

acrylic, graphite, charcoal on wood panel, 24”x24”, 2018

a mausoleum of contemporary art
a mausoleum of contemporary art

ink on wood panel, 36”x36”, 2018

some dark embrace II
some dark embrace II

acrylic, charcoal on wood panel, 36”x36”, 2019

the network
the network

acrylic, graphite on wood panel, 36”x36”, 2018

bricks
bricks

acrylic on wood panel, 24”x24”, 2018

netpantleras
netpantleras

acrylic on wood panel, 24”x24”, 2018

networking (2nd chances)
networking (2nd chances)

acrylic on wood panel, 24”x24”, 2018

electronic technicolonialism (würm)
electronic technicolonialism (würm)

acrylic, ink on wood panel, 36”x36”, 2019

post-American paintings
post-American paintings

acrylic, graphite on wood panel, 36”x36”, 2018

seated artist
seated artist

acrylic on wood panel, 36”x36”, 2019

RIP (golden weeds)
RIP (golden weeds)

acrylic on wood panel, 24”x24”, 2018

studio visitor
studio visitor

acrylic on wood panel, 24”x24”, 2018

fear and trembling of the artist (exorcism)
fear and trembling of the artist (exorcism)

acrylic, charcoal on wood panel, 24”x24”, 2018

touching Quetzalcōātl
touching Quetzalcōātl

acrylic, graphite on wood panel, 2018

mirroring
BUT WE WERE MEANT TO BE GODS?
unknown saint
listening spider
24 HR PWR PAINTER
bedtime hymn to the Black Mountains
¿conocimiento y desconocimiento?
a mausoleum of contemporary art
some dark embrace II
the network
bricks
netpantleras
networking (2nd chances)
electronic technicolonialism (würm)
post-American paintings
seated artist
RIP (golden weeds)
studio visitor
fear and trembling of the artist (exorcism)
touching Quetzalcōātl
mirroring

acrylic, graphite, charcoal on wood panel, 24”x24”, 2019

BUT WE WERE MEANT TO BE GODS?

acrylic, graphite on wood panel, 24”x24”, 2019

unknown saint

acrylic, charcoal, graphite on wood panel, 24”x24”, 2019

listening spider

acrylic on wood panel, 48”x48”, 2019

24 HR PWR PAINTER

acrylic, graphite, ink on wood panel, 24”x24”, 2018

bedtime hymn to the Black Mountains

acrylic, graphite on wood panel, 24”x24”, 2018

¿conocimiento y desconocimiento?

acrylic, graphite, charcoal on wood panel, 24”x24”, 2018

a mausoleum of contemporary art

ink on wood panel, 36”x36”, 2018

some dark embrace II

acrylic, charcoal on wood panel, 36”x36”, 2019

the network

acrylic, graphite on wood panel, 36”x36”, 2018

bricks

acrylic on wood panel, 24”x24”, 2018

netpantleras

acrylic on wood panel, 24”x24”, 2018

networking (2nd chances)

acrylic on wood panel, 24”x24”, 2018

electronic technicolonialism (würm)

acrylic, ink on wood panel, 36”x36”, 2019

post-American paintings

acrylic, graphite on wood panel, 36”x36”, 2018

seated artist

acrylic on wood panel, 36”x36”, 2019

RIP (golden weeds)

acrylic on wood panel, 24”x24”, 2018

studio visitor

acrylic on wood panel, 24”x24”, 2018

fear and trembling of the artist (exorcism)

acrylic, charcoal on wood panel, 24”x24”, 2018

touching Quetzalcōātl

acrylic, graphite on wood panel, 2018

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